D.K.J.’s music glowed due to
his complete mastery over rhythm. His ‘laya
gyanam’ was amply displayed, when he wove beautiful swara patterns full of
melodic beauty. DK.J.’s music was charged with ‘bhava,’ endowing it with a haunting quality. Aesthetics have
always been a hallmark of the ‘D.K. Pattammal ‘Bani’. Their music induces
repose (sowkhyam) and touches a deep chord in the listener’s heart.
The avid Carnatic music rasika identifies Sivan’s Kaanakkankodi (Kambhoji) and Kapali (Mohanam) with D.K. Jayaraman.
Kritis of modern-day composers like Gangadheeswaram,
(Sindhubhairavi) and Mahadeva shiva
shambho, (Revathi), immediately conjure up the name of D.K.J. The poignancy
of Nannuvidachi (Reethigowla) or Mayamma (Ahiri), have brought tears to
the eyes of listeners. D.K.J.’s debut in Bombay, has an interesting story
behind it. In 1962, D.K. Pattammal participated in the Tyagaraja Aradhana
festival, organized by Bharatiya Music and Arts Society of Sion. The next
evening’s concert was to feature another senior Vidwan Semmangudi Srinivasa
Iyer. Ill health prevented his travel to Bombay
and the organizers were in a fix.
P.A. Raman founder Secretary of the Society, recalling
the crisis said: “While we were wringing our hands in desperation, Palghat Mani
Iyer suggested that we present the young Jayaraman, who had accompanied his
sister the previous evening. T.N. Krishnan the violin vidwan too heartily
agreed to the proposal. “It was a truly memorable debut for D.K.J.”
An
audio-cassette album of D.K.J.’s Navavarna Kritis was released last month.
Rendered by Jayaraman and thirty disciples, It was a painstaking job that would
have daunted anyone else but D.K.J. This achievement was proved to be a fitting
swan-song for the maestro. A loving father, an affectionate brother and
charismatic musician, D.K.J. had thousands of admirers all over the world. His sudden death on January 24th, at the pinnacle
of his career has struck a harsh discordant note in the music world.
Published in The Independent, a Journal of Politics and Business, Times of India ,
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